Benedikt Kristjánsson

As part of the celebrations marking the 750th anniversary of Lausanne Cathedral, Hans-Christoph Rademann conducts a monumental work of sacred music: Georg Friedrich Handel's Messiah, first performed in 1741.

On stage will be another, a puppet, theater, whose height and width allows soloists to move along with the puppets. And so Acis, Galatea, Damon and Coridon, who are later disturbed by giant Polyphemos, are here in the puppet world, here again in the real world, like puppets, while theirs emotions accompany baroque gestures. Singers inspired puppets and vice versa. Furthermore, there are things that a human being cannot, but the puppet so, for example, become a giant Cyclops …