Tanju Bilir

After 14 years of prison Nabil is released and thrown back into his life.

Bibi and Tina welcome three new vacation guests to Martinshof. They call themselves Disturber, Silence and Spooky and they are simply different: Silence doesn't speak, Spooky believes in aliens and Disturber declares war on Bibi. She will drive the laughter out of Bibi! Disturber's mistrust even drives her into the arms of the mysterious V. Arscher, who is waging an elaborate campaign of revenge against Count Falko. The excitement caused by a meteorite shower from outer space is just what they need and they panic the whole of Falkenstein. No one can be sure anymore! But he hasn't reckoned with Bibi and Tina and their new friends, who aren't fooled.

Oray speaks in a quarrel with his wife Burcu three times 'talaq', the islamic formula for repudiation. The imam informs him about the consequences: he has to divorce his wife. Now Oray is in a dilemma: Should he stay with Burcu or with the community?

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Two digital natives, an analogue stranger and two bike cops. A bearded oriental, a mysterious bag, an evil eye. Mario and Yunus are certain: they have discovered a real terrorist. You have to put a stop to it to save thousands of lives. But what if they are wrong?

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.