Asghar Piran

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

A director in a dead-end marriage holds auditions for her debut film. The actress she casts for the lead faces opposition from her father, sparking turmoil.

One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody.

Nasi spends months after release from prison, watching the films and memorizes all the lines. He then travels around to perform the films as a one man show on a bench. Gradually he forms a theatre group called Cinema Bench...

King Goshtasp of Iran returned from a great battle only to discover that Arjasp, the king of Turan, had seized upon the Iranians’ embrace of the true faith and monotheism as a pretext to invade Iran in his absence. Arjasp had ravaged the land and its people, and taken Goshtasp’s daughters, Homay and Beh-Afarid, captive. Goshtasp freed Esfandiar from his chains, and Esfandiar, to rescue his imprisoned sisters, chose to face the perilous passage through the Seven Labors—each filled with terror and deadly trials.