Coti Donoso

Easter Island is the second-most remote island from a continent in the world, after the Tristan da Cunha archipelago. It is located in the Pacific Ocean 3,680 kilometres away from Chile (of which it is part), inhabited for centuries by a population of Polynesian origin (for whom its name is Rapa-Nui). Exploited by European colonisers from the 18th century onwards, visited by archaeologists, anthropologists and tourists attracted by the moai, the large tuff statues that people its coastlines, and filmed thousands of times, it has a stable population and an administration that manages the existence of the community, including justice. The presence, on this isolated territory from which escape is difficult, of a prison, even if it is a building without walls, is therefore a bizarre paradox...

Juan Carlos is a lonko who has fought in defense of Mapuche autonomy. Many question him because he agreed to work for the government in order to improve conditions in his community. At home he shares his concerns, while his animals watch the tension grow and the seasons advance.

Santiago de Chile is one of the cities with the most polluted air in the world. Alberto, a social leader and lawyer Luis Mariano Rendón are aware of this and try to make a change, in the middle of a capital that grows in an excessive way and which fundamental conflict is real estate speculation.

Maia, Yenifer and Luciana begin working as caregivers for the elderly. The routine at the nursing home, very different from what they were used to, becomes challenging. But as their bond with the residents strengthens, they discover as trans women that they have much more in common with older people than they thought.

This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.

The comedian Timoteo is the leader of a cross-dresser circus that has toured through Chile for forty years. Today his advanced age and health are reason for concern regarding the continuity of the show.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.