Lois Smith

Acting

Lois Smith

Born November 3, 1930 · Topeka, Kansas, USA (age 95)

Lois Arlene Smith (née Humbert; born November 3, 1930) is an American actress. She made her film debut in the 1955 drama film East of Eden, and later played supporting roles in a number of movies, including Five Easy Pieces (1970), Resurrection (1980), Fatal Attraction (1987), Fried Green Tomatoes (1991), How to Make an American Quilt (1995), Dead Man Walking, Twister (1996), Minority Report (2002…

Known For

The French Dispatch of the Liberty, Kansas Evening SunThe French Dispatch of the Liberty, Kansas Evening Sun · 2021
The French Dispatch of the Liberty, Kansas Evening Sun
7.02021
MovieDramaComedy
The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
The Nice GuysThe Nice Guys · 2016
The Nice Guys
7.12016
MovieComedyCrime
A private eye investigates the apparent suicide of a fading porn star in 1970s Los Angeles and uncovers a conspiracy.
TwisterTwister · 1996
Twister
6.61996
MovieActionAdventure
An unprecedented series of violent tornadoes is sweeping across Oklahoma. Tornado chasers, headed by Dr. Jo Harding, attempt to release a groundbreaking device that will allow them to track them and create a more advanced warning system. They are joined by Jo's soon to be ex-husband Bill, a former tornado chaser himself, and his girlfriend Melissa.
Minority ReportMinority Report · 2002
Minority Report
7.42002
MovieScience FictionAction
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Run All NightRun All Night · 2015
Run All Night
6.42015
MovieActionCrime
Brooklyn mobster and prolific hit man Jimmy Conlon has seen better days. Longtime best friend of a mob boss, Jimmy is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years. But when Jimmy’s estranged son becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. Now, with nowhere safe to turn, Jimmy has just one night to figure out exactly where his loyalties lie and to see if he can finally make things right.
Lady BirdLady Bird · 2017
Lady Bird
7.22017
MovieDramaComedy
Lady Bird McPherson, a strong willed, deeply opinionated, artistic 17 year old comes of age in Sacramento. Her relationship with her mother and her upbringing are questioned and tested as she plans to head off to college.
Falling DownFalling Down · 1993
Falling Down
7.41993
MovieCrimeDrama
An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
Fatal AttractionFatal Attraction · 1987
Fatal Attraction
6.81987
MovieThrillerDrama
A married man's one-night stand comes back to haunt him when that lover begins to stalk him and his family.

Filmography

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Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.