Anna Pettersson

Arne Anka had been declared dead as a comic strip character since a few months back. However, by this time Charlie Christensen's (a.k.a. Alexander Barks) creation had reached status as quite a cult phenomenon, so the play must have been received with much anticipation and enthusiasm, so much so that it was filmed and subsequently released on video-tape.

Autumn 1978 in suburban Sweden. Everything seems to be fine with the middle class Bendrick family with their two teenage children and a younger son, until the mother starts seeing her first love again after 20 years. Just like their badly built house, the family façade starts slowly crumbling into pieces. The daughter, 15, finds her first love, and the boys too are puzzled by their own questions around adolescence and sexuality. The father tries to keep up a happy face, while the youngest son is the first and the most sensitive to realize how the family is heading towards a disaster.

Two kids - about 11 years old - Marcello and Fatima, meet and like each other very much. Both have dreams and problems. Marcello wants to fly but feels like an absolutely useless human being, Fatima wants to play soccer - which is not acceptable for her Muslim family. But then they start to support each other in a very delicate and subtle manner...

About the individuals who live in a mad-house. This kind of people usually seem to be quite normal. However, from one scene to another they may dramatically change, thereby revealing their deep problems with themselves and the society they cannot live in anymore.

A young art student accidentally discovers that there is a secret committee consisting of four women and twelve men in the attic of the National Museum. They decide what constitutes good art and which artists will be successful. The committee consists of museum directors, art school principals, a media personality, a famous artist, art critics, and a gallery owner. But when another male professor of photography is appointed to the art school, the students protest against the "boys' club" and complain that there are too few female teachers. The media naturally jumps on the bandwagon, and it quickly becomes a public debate. When student Ylva Zetterqvist is about to present her final exhibition, she locks her teachers in a room and pours gasoline on the walls. She wants to know why they have not chosen her to be recognized.

Three lonely people meet by chance in the waiting room of a train station.

Münster stumbles upon the body of a young woman who has been strangled in her home and surprises the killer, who is still at the scene. The killer flees, but an unusual book is found at the scene, dedicated to the killer. When another victim is found, Van Veeteren's literary expertise is put to the test when it becomes clear that they are dealing with a serial killer who chooses his victims based on the names of characters from 19th-century crime novels. What will be the name of the next victim?