Félix Tusell Sánchez

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

The thirteen survivors of a catastrophe by a tunnel's collapse tries to balance their experience trapped along 15 days inside it with their day-by-day outside it.

In every attempt at subversion, there are two moments: the one just before, when everyone doubts and no one knows how to hide fear, and the one just after, when all that remains is to run and find a safe place, maybe in memory.

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

Jesús Quesada, an incompetent executive, is appointed as the new director of a company in decline whose survival will now depend on both the ingenuity and ambition of his former colleagues.

The president of the government, a loyal, scrupulous, and neat man, gets stuck in a public bathroom without toilet paper in the middle of an election campaign. Helpless and unable to leave, he discovers what kind of people surround him. Only if he is able to overcome his scruples will he be able to save his throne.