Liliana Mazure

Jorge Giannoni isn't a hero; he's a witness to the darkest part of the history of independent cinema in our country, and of an entire generation; a story that saw him present alongside Raymundo Gleyzer and Glauber Rocha in the turbulent Brazil of the 1960s, during the French May as a producer for RAI, in his work as a face-hunter for Fellini, and in film production from Cuba, making documentaries critical of the Trial; a history riddled with encounters, disagreements, exiles, frustrations, burned negatives, and a few triumphs.

Fictional documentary that narrates the 40-year period of Argentine history from the 1930s to the 1970s.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

The members of the superband Los Van Van tell their individual stories, comment on the love and pride they feel for their group, and testify about the origin, development, and characteristics of the most famous Cuban dance orchestra—founded more than forty years ago by Juan Formell—until they won the coveted Grammy Award in February 2000. Of particular note are the sincere and entertaining statements by singer Mayito and those popular melodies with which our people have identified themselves for several decades.

An animated short film that follows Tito, a small elephant who abandons the peace of his home in nature to face the high speed of the capitalist city. It was prohibited by censor Hugo Paulino Tato who qualified its protagonist as a "Marxist elephant".