István Bélai

Cannes Jury Prize-winning short film.

Animated look at an ever-changing portrait of a man and a woman

In the style of a diary, the film uses black and white photo retouching to show two good friends from Pest falling in love with a girl and finding themselves in a strange love triangle.

This etude made up of captured snaps having a sociographic impact and expressive photo-collages by Dezső Korniss is the satirical apotheosis of the single, working urban woman from the second half of the 1960s.

Satire on the vicissitudes of a politician who should inaugurate a bridge, and the problems he finds. The inauguration of a new bridge is traditionally a big event. The orchestra play, crowds of people, kids waving flags, media. A prominent person has the honorary assignment of cutting off the red ribbon. But the band resists all attacks by scissors, knives and axes and the resolution becomes macabre and unexpected.

To calm down the competition that is raging between the tailor and the blacksmith, the justice men of a village decides to challenge the two craftsmen by having the two exchange their roles for a day.

A surrealist satire describing the power that is used to dehumanise and deny individual liberties in the name of order and the common good.

Huszárik's graduation film was another short entitled Groteszk (Grotesque) in 1963 about a strange train voyage of an artist carrying his own picture.

This film of three parts recalls memories from World War II. The titles of the parts are: Impartially, Terrified and Like a scream.

Gusztáv, also known as Gustavus, was Hungarian series of animated short cartoons for adults. It was extremely popular in Eastern Europe, where it has achieved cult status. It ran from 1964-1977. Each episode tells an adventure of the main character, Gustav, related to the gray realities of urban life. Characteristic feature of the show was that episodes were independent: for example, Gustav is sometimes a bachelor, sometimes has large family. In Eastern Europe and Yugoslavia the episodes were broadcast on TV in the 80s, usually as airtime filler. The series was also broadcast in Western Europe and even in New Zealand - because it was not using language, other than gibberish sound, it was able to easily transcend boundaries.