Şehnaz Dilan

In the film, which takes place between students and teachers in a girls' high school, İlyas replaces the teacher who was expelled from the school because he had a relationship with a female student. Students who do not forgive the expulsion of their previous teacher do their best to have İlyas fired as well.

Despite his fame and fortune, renowned artist İbrahim Tatlıses is unhappy. He has no life of his own. His circle is filled with people who approach him for their own gain. His work in films, records, and concerts has left him exhausted. One day, he encounters a child on the street and helps him, which changes his life. His young friend reminds him of the joy of life, simplicity, and small pleasures he had forgotten. Meanwhile, İbrahim takes Seda's hand, who is going door to door with the dream of becoming famous. And the relationship between the young woman and him gradually turns into love. However, life's surprises for İbrahim are not over yet.

A mentally ill psychopath is killing the women he has relationships with. While he is preparing to kill his wife, an undercover police officer catches the murderer.

Latif marries Semiha but finds out she’s not a virgin. To protect her from any aggresive reaction from her siblings, the couple decide to live together for two months before seeking a divorce. However, Latif’s growing affection for Semiha complicates their predetermined separation and they decide to stand together against others for sake of love.

The film tells the story of Nezir, who comes to Istanbul to become a singer, and how he overcomes the obstacles he encounters along the way.

The film depicts the struggles of a poor family. A father who repairs shoes works alongside his two sons. The father wants his eldest son, Mehmet, to find another job. Mehmet decides to work as a cotton picker with his wife and children. Ali, the younger son who cannot get along with his father, also begins working with them. The father suggests that they all work together to pool their money and then renovate the shop. Upon this, the entire family goes to pick cotton. However, things will not go as planned for the family embarking on this new venture.

The last film of Oğuz Gözen, which tells the story of a woman who left her child and husband, and went to France just to return to Istanbul years later and take back her son, starring Şehnaz Dilan, İncilay Özdemir, Vadullah Taş, Murat Soydan, Buket Çokar.

A kind-hearted tea maker works in a bustling commercial inn, where his good nature makes him an easy target. The business owner takes advantage of his generosity, while the woman he loves manipulates him for money, playing on his trust. As he faces these challenges, his simple routine slowly begins to shift, leading to unexpected turns that force him to rethink his place in the world.

Ali Silvan,violence prone person from shantytown of Istanbul,after committing homicide he rises rapidly within underworld owing to his gameness and intrepidness personality and became one of the most powerful underworld leaders of Istanbul. Due to being unlawful, He must trust his old friend Bülent who studied counting from same neighborhood to incorporate legitimized companies; however carrying all the authority and withholding all the wealth Bulent sets out to provoke Ali and other leaders of the underworld. Hereby, Bulent is forced to find a way out to procure the balance of power back.

Emrah, who comes from his village to study in the city, settles in a boarding house. He meets a girl who is studying at the university in the same boarding house, and they fall in love, but as always, problems arise between them.

Hazal is a young doctor working in a clinic. Having lost her mother five years ago, Hazal often sees her mother in her dreams in a terrifying state. At the same time, Hazal begins to hear strange noises in her home, which take a psychological toll on her. This unease does not go unnoticed by her friend Şenay, who is also a doctor. One day, while visiting her mother, Hazal confides in Şenay about her problems. Upon hearing this, Şenay's mother advises Hazal to seek guidance from an elderly healer who is knowledgeable in such matters. After receiving advice from the healer, Hazal embarks on a terrifying journey with no return.

Tahsin is a respected police officer who lives a happy life with his wife and daughter Gamze. Despite earning little money and struggling to make ends meet, this does not hinder his happiness or his love for his job. He will retire soon. His assistant Aydın, who is as successful a police officer as he is, has a romantic relationship with Gamze. One day, the experienced commissioner finds himself pursuing drug dealers on orders from his superiors. Tahir, the leader of the drug gang Tahsin had previously arrested, devises a revenge plan with his associate Naci. Naci makes Gamze fall in love with him. He takes her to a house under the pretext of introducing her to his mother. The woman he introduces as his mother, Nalan, is actually Tahir's associate. They give Gamze drugs.

Şahin is a courageous and aggressive police commissioner who pursues female traffickers. He is the nightmare of the gangs involved in white slavery that he has been pursuing for years. Yusuf, one of the most ruthless criminals in illegal crime networks that wound the conscience of society, lures innocent young girls with his good looks and sells them, causing them to become prostitutes. Unable to bear this, a prostitute named Sema attempts suicide by cutting her wrists. Yusuf takes her to the forest to avoid trouble. When Yusuf sees that another prostitute named Cansu witnessed the incident, he threatens her as well. The frightened young woman takes refuge in the home of Çağla, a prostitute she trusts. Çağla hides Cansu and does not tell anyone where she is. The police investigate the suicide of Sema.

A triptych of literary adaptations explores past, present and future in rural Turkey. “Düne Özlem” (from Hulki Aktunç’s Bir Yergöstericinin Hayatı): A once-famed traveling critic returns after years to the cinema that launched his career—and finds it unrecognizably transformed. “Bugüne Özlem” (from Kemal Tahir’s Arabacı): A horse-drawn cart driver picks up two stranger women en route to a village—unaware they intend to marry him off to their spinster relative. “Yarına Özlem” (from Zeyyat Selimoğlu’s Bıldırcınlar): An old captain haunted by a fatal shipwreck readies quail-hunting with his grandson, even as his daughter-in-law waits in vain for her migrant husband to return from Germany. Each segment poignantly probes longing— for what was, what is, and what might yet come.

In the film, the struggle between the villagers and a cry is told. Villagers are in a difficult situation due to the drought in the region. Semsettin Aga and Behram Aga, the owners of the surrounding villages, keep the villagers entertained. The villagers then decide to invade the fields. Meanwhile, Mustafa was thrown in prison by shooting Behram Aga.