Padma Kumuta

Revathy, a young girl, is adopted by Sulakshana, a lonely woman. After Sulakshana's death, however, Revathy finds herself dealing with many obstacles.

A man falls head over heels in love with a woman and takes on a new identity in an attempt to impress her. Along the way, he also seeks the help of her dog to try and win her over.

Ramachandra's friends try to set him up with a girl in his wife's absence. But their plan goes awry due to an unfortunate turn of events.

Just when Krishna, a ferry driver, is about to get married to the love of his life, Rukmini, a landlord's daughter, sets her eyes on him.

Nayaka (1991) is a Kannada action-drama starring Vinod Raj and Bhavyashree Rai (also credited as Bhavyashree), focusing on a protagonist's fight against injustice, directed by V. Chandrahas and featuring music by Hamsalekha. The film explores themes of righteousness and perseverance, showcasing strong performances and an intense storyline, with supporting cast including Vinaya Prasad and Abhijith.

1988 Kannada devotional drama film starring Ananth Nag and Saritha, directed by Anil Baindur, about a man who loses faith after his devotee father's death and later rediscovers it through Lord Venkateshwara's blessings, featuring music by M.S. Vishwanathan

Bayaludaari is a 1976 Indian Kannada-language film directed and produced by the Dorai–Bhagavan duo. It is based on the novel of the same name by Bharathi Sutha. This was the first movie of the director duo without Dr. Rajkumar in the lead. The film starred Anant Nag, Kalpana, and K. S. Ashwath. It was a musical blockbuster with all the songs composed by Rajan–Nagendra considered evergreen hits. Bayalu Daari was the first commercial success for Anant Nag who had earlier done art films and established himself as a leading star in the Kannada cinema with a chocolate hero image. This film was one the last big hits of Kalpana. The helicopter scenes formed a major highlight of the movie.

The movie portrays Sai Baba as a child abandoned by his Hindu parents and raised by a Muslim couple, who later returns to Shirdi, preaches communal harmony, and performs miracles. The film also depicts the transition from Shirdi Sai Baba to Sathya Sai Baba, considered his reincarnation.