Alejandra Herrera

When a hostage rescue mission creates a new enemy, Capt. Guerrero and his elite soldiers must face an ambush by a criminal group.

In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.

A federal agent is investigating a complex case: a series of chilling infanticides in which the victims’ teeth have been extracted; meanwhile, in a nearby village, two healers find a wounded man in the woods and offer him refuge.

A horror story that intertwines four tales on a fishing island in Lake Pátzcuaro, Michoacán, where an evil lake spirit haunts the inhabitants, casting a dark shadow over their lives.

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?

A prehistoric family's desperate search for a mythical source of life turns to tragedy when the egos and obsessions of its male members rise to the surface.

Max returns to her slum turned into the vocalist of a rock band. There, the memories await, the latest news and the truths that were silent for years: Sonia is a voice that speaks from the death.

In early-2000s Mexico City, two teenage friends see their bond begin to fracture. Moving between memory and the present, their friendship and desire become increasingly difficult to name.