Oscar Chabebe

After her girlfriend's death, Liz hides her true self until a weekend trip awakens forbidden desires. When her sexuality is exposed, paranoia and violence consume the group as her secret becomes deadly.

Through an interviewer played by actress Mariela Guerrero Monegro, 'Rebeca' documents the opinions of people who enjoy the licence to become characters on the occasion of the Dominican Carnival.

A coming-of-age story set in the Dominican Republic, where a group of young aspiring bachata musicians seek answers to love and life through their music. Filmed at the Academia de Bachata, the world's first bachata music school. Featuring maestro Martires de Leon, guitarist and arranger for Romeo Santos.

Preparing for a role, an actress holds conversations with pregnant young girls. Throughout the process, the girls lay out the stories of their own lives on camera, changing the course of the production of the film.

Tormented by violent events, a gavillero goes on the run in search of his freedom.

In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

Pirín is a metropolitan phenomenon from the city of Santo Domingo, Dominican Republic. He is one of the strongest exponents of marginal art in the country. His form of expression is very personal, he is sincere in his manifestations. However, he could be considered a problem by some, given the thematic and reckless nature of his expression. This material was elaborated from informal interviews with Pirín. It is a k-otic document, as a natural extension of Pirín and the context in which he operates on a daily basis.