Arturo S. Mom

Two men define the destiny of a woman in a card game.

Lucy is a woman of shady past who convinces Argüello and Carlos to install an illegal gambling hall on a cabaret that worked legally. When Argüello is interested romantically in her, it rejects it because it is attracted by Carlos, a womanizer singer. The obsession for her leads Argüello to cheat in the game that he holds with Carlos and manages to ruin him, but finally both fight and Argüello dies stabbed but without denouncing his aggressor to recover his self-esteem as a professional player.

The film, which contains exterior scenes filmed in the Paraná Delta, narrates a confrontation between troops from the Argentine Naval Prefecture and some silk smugglers on the Paraná River.

During a conversation between a grandfather and his grandson, the latter tells him the story of the liberator General José de San Martín (1778-1850) from the patriot's childhood, through his stay in Spain, his return to the Río de la Plata, the development of the continental plan and the European exile.

A thief going to rob an unscrupulous industrialist falls in love with a young woman and turns himself in to the police to save a thief friend.

Raquel is let down during her pregnancy. Twenty years have passed and the man comes up claiming for his paternity.

Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.