Howard Coggins

A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.

Doc Martin tells the tale of Martin Clunes' character in the film, in the months leading up to the Saving Grace story. Martin Bamford is a heart-broken London obstetrician, in a jealous rage after he finds out that his wife has been sleeping with three of his buddies. He escapes to a small Cornish fishing village, which he grows surprisingly attached to, and is extremely reluctant to return with his cheating wife when she comes to pick him up. Although he has only been looking for a week's R & R, Dr Bamford stumbles across a network of secrets in the village of Port Isaac, and finds himself embroiled in the most exciting scandal the village has seen for centuries.

Teenager James Greville has lived in children's homes his whole life, so he is surprised when a Great Uncle invites him to his country manor for a holiday. While exploring the sprawling Greville Lodge he soon discovers that it has many secrets.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

A detective team apply new techniques to old crimes as they solve cold cases.

In the fictional Yorkshire town of Wetherton, the unlikely duo of politically incorrect elephant-in-a-China-shop-copper DS Andrew Dalziel (pronounced Dee-ell) and his more sensitive and university educated sidekick DS, later DI, Peter Pascoe is always on hand to solve the classic murder mystery, while maintaining down-to-Earth wit and humour.

Black Books centres around the foul tempered and wildly eccentric bookshop owner Bernard Black. Bernard’s devotion to the twin pleasures of drunkenness and wilful antagonism deepens and enriches both his life and that of Manny, his assistant. Bearded, sweet and good, Manny is everything that Bernard isn’t and is punished by Bernard relentlessly just for the crime of existing. They depend on each other for meaning as Fran, their oldest friend, depends on them for distraction. Black Books is a haven of books, wine and conversation, the only threat to the group’s peace and prosperity is their own limitless stupidity.

High-flying solicitor Jane Kennedy returns to the seaside town she left as a teenager to take up the post of coroner, becoming an advocate for the dead as she investigates sudden, violent or unexplained deaths.