Bettina Józsa

Rita, an ordinary, but lonely woman is kidnapped. Her captors are the Árpáds; they claim she is not called Rita but Szilvi, a runaway from their family. Rita eventually understands that the only way out is in - to escape she must impersonate Szilvi. The more she becomes the lost girl the more she finds out about the family - and understands that her life is on the line.

Two people meet in the dark. The darkness of an invisible exhibition. Through the film, we follow them as they get closer and move apart from each other by crossing blurry boundaries. Boundaries that exist between and within people and are mostly invisible. Not only for the blind.

On the eve of departure for the summer holiday with his wife Vera, Kristóf unexpectedly discovers black mold on the wall behind their closet. Overwhelmed with the situation and convinced it is caused by a water leak somewhere in the building, he begins knocking on his neighbours' doors in search of its origin. What seems like a simple maintenance issue soon spirals into a tragicomic housing revolution, forcing Kristóf to confront not only a crumbling apartment block but also the deeper cracks running through contemporary Hungarian society.

To inherit the fortune he made in his previous life a man must become his previous incarnation again.