Guido Lauwaert

In this sequel to Blueberry Hill, the boys of the Catholic metal working-class, who are now all working, decide to take revenge on the hated former principal Verbiest, after the sanctimonious 'pillar of society' assaulted one of their girls.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

Miguel steals a trick from a magic book and becomes a world-renowned magician. However, the idea of ​​the public discovering that this great trick is plagiarized from a book eats at his mind more and more.

One day, Louis - who seems obsessed by weapons and all things related – visits his old school friend Ada. She is quickly won over and not long after they marry. After the wedding their honeymoon takes them to Verdun in northern France, where over 500,000 soldiers died during the First World War. Louis runs from one monument and cemetery to the next, like someone possessed, salivating because of how hard the fighting was there. Ada feels increasingly uneasy with her new husband. One day, he purposely has himself and Ada locked in at Fort Douamont where terrible events took place during the war. There he turns out to be a stark raving maniac.