Yasuo Itoga

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

The lives of two brothers, Kunio and Akira Kasahara, are changed forever when their father is murdered. Kunio sets out on a manhunt to avenge his father and will stop at nothing until he finds the killer. Setsuko, Kunio's fiancée, is unable to keep up with the lunacy that Kunio stirs up and finds comfort with another man - his brother, Akira.

A college student takes over the family business in the field of organised crime.

This is a factory area in downtown Tokyo, and Hikaru, nicknamed Pika-chan, is a nurse at the Mihara Clinic, a friend of the poor.

1962 Japanese movie

A film from Nikkatsu's "moodo akushon" (mood/action) subgenre.

1962 Japanese movie

1962 Japanese movie

A life insurance agent has a drinking problem causing him to lose his company a fortune. He heads to another town to sell insurance, but to his surprise, the elderly are all healthy thanks to a special local sake. Along the way, he meets an eye-patch-wearing killer, which only confounds his misadventures.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

1962 Japanese movie

Keisuke and Shizuko grew up by the Kitakami river and came to fall in love before they knew it. Eighteen years ago, Shizuko was left an orphan and was taken in by Keisuke's parents, who had raised her as their own child. At the riverside when the cherry blossoms are falling, Keisuke, now enrolled in university, promises Shizuko that he will tell his parents about them at the start of the summer vacation. He then sets off for Tokyo...

Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.

At a seaside city somewhere in the Tohoku area, the corpses of Nozomi, daughter of an affluent family, and Yamazaki, son of an engineer at the local nuclear power-plant, are found tied-to on a beach, as if they intended to commit double suicide. Nogami, a reporter, begins to investigate.

Hamada, Izumi, and Aki Jo, a rising singer from Toshiba Records, form a fresh trio who risk their youthful energy to bravely confront violence in this bright and cheerful coming-of-age action film.

In this town, Kagosuke and Ryukichi of the Okamoto family, who are deeply committed to the yakuza way, are straightforward and justice-loving hot-blooded men. However, their slight clumsiness is a flaw, but they are extremely strong in fights, and there's no one who can match them. They are head over heels for Osen-san. They are both desperately unwilling to yield even if the other is a brother.

Bastard tablets that hunt down the crooks behind the gambling world of horse racing, bicycle racing, and car racing.

1967 Japanese movie

1962 Japanese movie

1962 Japanese movie