Agustina Llambi Campbell

Despite his long-term relationship, Ernesto also has a fleeting romance with a blonde. Only when he is in danger of losing Paula, through his constant flirting with other women, does he see the consequences of his immature behaviour. In a calm tempo, with meticulous camerawork, the film subtly evokes a mood of nostalgia for a carefree adolescence from which Ernesto and his friends have difficulty taking their leave.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

Sosa is a lawyer who haunts hospital waiting rooms hoping to represent the victims of traffic accidents in insurance claims. When he falls in love with ambulance medic Luján, he tries to leave this dark business but the shady law firm that he works for won’t let him off that easily.

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.