Putu Wijaya

The story of Tantini from the Sanca Bachtiar family who is kidnapped and later adopted by the Arnold van Dyk family. They change her name into Tinneke. Sanca finds out about her daughter’s whereabout several years after the child is declared dead. He tries hard and eventually succeeds on getting Tinneke back.

The film is a "reconstruction" of the real event of Sum Kuning’s rape that happened 10 years before, and sums up the lack of justice in the Indonesian courts. Sumirah, is raped by four vandals but during the investigation, the event is given a ridiculous interpretation when Sum is forced to confess that she was trying to gain popularity for herself. During the trial, the true facts are revealed gradually and this ranks as one of the best courtroom films ever made complete with spirited and lively dialogue.

In Jakarta, a young journalist struggling to escape from the confines of familiar obligations, receives a telegram informing him that his mother is dying.

A young man forgot his roots after spending his childhood at sea.

Egi has to work in a garage to help his family. Silvy (Dian Nitami), a rocker, and Nanang, a band member, are both children of wealthy parents that pay very little attention to them. These three friends struggle to stay together despite the problems and challenges that come their way.

City students come to the village for KKN with all their arrogance and pretentiousness, led by a fat student named Joe (Didi Petet). Many problems arise, starting from Budi (James Lapian) and Imam (Leroy Oesmani) who are not doing KKN well, but instead competing for a beautiful village flower named Neneng (Deasy Ratnasari). Likewise with Pinky (Meriam Bellina) and May (Sylvana Herman) who went down to the village as if they were going to shop at an elite shop. Their arrival also made the village hoodlums feel angry, so that the KKN activities were disturbed.

This is the story of one of the heroes of independence from South Sulawesi - Wolter Monginsidi. Monginsidi is portrayed as a flamboyant young man, brave and daring yet emotional at times. He and his troops always ambush the Dutch until they are finally caught. His father is persuaded to sign the clemency form, which turns out to be a trap, set up by the Dutch. He receives the death sentence instead.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.