Nguyễn Đăng Bảy

Camera

Nguyễn Đăng Bảy

Born January 1, 1923 · Tu Son, Bắc Ninh province, Vietnam

Died June 1, 2007 · aged 84

People's Artist Nguyễn Đăng Bảy (b. Bắc Ninh province, 1/1/1923 - 6/2007) was a Vietnamese cinematographer. He began filming documentaries reporting the wartime activities of Hồ Chí Minh, after being given a camera in 1949 by his office. Afterwards, in 1960, he participated in his first feature film "The Construction Girl" (Cô gái công trường). The next year, his work in "The Passerine Bird" (Con …

Known For

The Passerine BirdThe Passerine Bird · 1962
The Passerine Bird
★ 6.01962
MovieDramaWar
Story of an innocent and carefree little girl whose father is a member of the anti-French resistance.
When the Tenth Month ComesWhen the Tenth Month Comes · 1984
When the Tenth Month Comes
★ 7.21984
MovieDramaWar
In the final days of the war, Duyên faces a daily struggle to take care of her young son and ailing father-in-law, all the while hiding from them the fact that her husband has recently been killed in battle.
Nesting Season in HanoiNesting Season in Hanoi · 1978
Nesting Season in Hanoi
1978
MovieDramaRomance
Hanoi of 1978, milkwood pine flowers in autumn, and the anxiety of idealistic youths navigating postwar life. A young couple struggle to be together as individual happiness gets in the way.
Nowhere to HideNowhere to Hide · 1971
Nowhere to Hide
1971
MovieWar
Three ARVN special task agents infiltrate the ranks of North Vietnamese army to plant doubts and fears among Revolutionary soldiers.
We Will Meet AgainWe Will Meet Again · 1974
We Will Meet Again
★ 7.01974
MovieDramaWar
On a festive spring day in 1940, two young quan họ singers fall in love. But their relationship is soon ruthlessly disrupted by class injustices, imposed upon both—and many other Vietnamese—by the ongoing French colonial rule and the looming Japanese occupation.
Vụ Án Viên Đạn LạcVụ Án Viên Đạn Lạc · 1986
Vụ Án Viên Đạn Lạc
1986
MovieThrillerCrime
Hanoi LandscapeHanoi Landscape
Hanoi Landscape
Movie
At which distance should one record a city, landscape and people? From the eyes of Bùi Đình Hạc and Nguyễn Đăng Bẩy, Hanoi is a promise: a Hanoi after the event of Điện Biên Phủ. Under the “sky of freedom”, to cite the commentary, panoramas of the capital’s renown landmarks unfold like a series of postcards. A harmonious world where nature and heritage of then and now coexist. In long shots, at a small scale, people can be seen dressing neatly, working and playing with delight. Hope is an obvious choice. A sense of future glimmers amidst vast expanses of open space.
Floating VillageFloating Village · 1964
Floating Village
1964
MovieDrama
The inhabitants of a small island in the delta of the turbulent Red River are doomed to poverty: floods wash away crops, livestock, and even people. From generation to generation, a legend is passed down about a kind dragon that can drink the river's water and save the village. But the dragon is a fairy tale, and the people have decided to block the treacherous river themselves. With extraordinary perseverance, fighting against the elements, the village population builds protective fortifications around the island.

Filmography

Sort