Paris Labrakos

Lambros is a stingy, married industrialist. However, his stinginess will eventually begin to waver when...

The Adamastos family consists of the father, Major Adamastos, the mother, Captain Eugenia and their daughter, Soldier Vicky. The father defies women in the army while the daughter falls in love with a second lieutenant justifying her father's opinion, but the mother manages to highlight the all-female Company's work.

To have a clear picture of the Greek public opinion after the recent victory of the current government, the editor-in-chief of a famous newspaper organisation enlists the help of two of his best reporters. What will the survey show?

At the Presidential Mansion news arrives every day indicating that things in the country are going from bad to worse. The President summons all the political leaders in order to understand exactly what is happening; and yet no one can enlighten him. He decides to act. He calls two journalists and assigns them the task of investigating the matter by speaking directly with ordinary people. The investigation starts with the notorious Gypsy Tamtakos, who struggles every day for a living. Then they move on to a simple employee, Markos, who dreams of a raise -which never comes. Then it's a farmer, Thymios, who comes to the capital to sell his oranges. In a largely burlesque manner, the film more or less reveals that the entire misfortune is due to Greeks' laziness and apathy, as well as to the prevailing attitude of "no big deal".

Rena, a dynamic woman who looks up to Margaret Thatcher, decides to fix the problems she sees around her, in Athens and Greece in general. When the president of state television gives her the opportunity to host a show and express her views, she takes advantage of the offer. She takes to the streets and, with the help of a cameraman, attempts to document the wrongdoings of the country.

Three short stories satirizing the Greece of “Change” in early 80's. A take-off on the police dramas of Giannis Maris; a satire of the films of the New Greek Cinema; and a satire of the “fustanella (Greek kilt)” films as well.