Daniel Pettrow

Multi-narrative adaptation of Richard v. Krafft-Ebing's notorious medico-forensic study of sexual perversity.

When middle-aged Bobby Jackson returns home to Lake City, Alabama, he wonders about the lives of 'the Bama Rascals,' a band of misfits he led in the seventies. Have the last 20 years been difficult for them as well? Thankfully, when they were growing up as the most diverse bunch in a military, mostly white town, Coach Billy Adams and his wife Betty rescued them with the all-American pastime of baseball. But its been years since they've been together and now that Coach Billy has died from a massive heart attack, the Rascals must face their past serving as pallbearers for his funeral. Tormented by their current life situations and haunted by troubled pasts, will their homecoming be more bitter than sweet?

Famed Italian director Romeo Castellucci re-envisions his groundbreaking 1997 production Giulio Cesare (Julius Caesar) as a series of “fragments” rearranged and positioned against each other—a clash between the ethereal and the obscure, the power of rhetoric and language stripped to its source.

The relationship between an aspiring sculptor and struggling young chef in New York falters when they become entangled with older benefactors to further their careers.

A New York hipster sets out on a a quest to create the most sincere T-shirt ever.

In The Wooster Group’s HAMLET, Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud. The Burton production was recorded in live performance from 17 camera angles and edited into a film that was shown as a special event for only two days in nearly 1,000 movie houses across the U.S. The idea of bringing a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm,” made possible through “the miracle of Electronovision.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. We channel the ghost of the legendary 1964 performance, descending into a kind of madness, intentionally replacing our own spirit with the spirit of another.