Matyáš Řezníček

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

Monika has the life she always dreamed of: she’s a successful doctor and expecting a child in a happy relationship with Lukáš. But is she truly happy? When she unexpectedly reunites with her ex-husband Petr after years, her doubts deepen. A brief meeting turns into a long walk through a summer city, during which unanswered questions begin to surface: "Why did we actually break up back then?" and "What if we had made a different choice?" Through dialogue and gentle humor, we observe how a subtle closeness re-emerges between them in quiet moments - whether in the rain, on a tram, or in the park. Director Bohdan Karásek crafts a sensitive, intimate drama about the roads not taken.

After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them.

Based on the true story of brothers Josef and Ctirad Mašín who, in 1953, tried to escape communist Czechoslovakia to join the US army in West Berlin.

Lupyn returns from prison during the pandemic and plans another job. A local mob boss and a corrupt police lieutenant try to uncover who is disrupting their territory and profit from the situation.

One phone call shakes Petra's life from the ground up. Her husband's fatal collapse causes Petra to become a widow from day to day. As she soon finds out, sadness and loneliness are not the only challenges she has to face.

Two siblings set sail as a crew on a yacht on the Aegean Sea. Circumstances soon change when a young documentary filmmaker comes aboard.

A film about the end of the world and the end of a roll of toilet paper. In his deftly playful work shot on 16mm, filmmaker (and musician) Ondřej Vavrečka reminisces, says his farewells and also reflects on the limits of progress. Via three fictional characters, each of whom responds differently to the impulses of their surroundings, he simultaneously enhances the sensitivity of the film audience. Will a pain we experience leave a scar or merely a colourless memory? And will someone remember the old Vysočany station a hundred years from now? In its poetic charm this cinematic piece is almost tactile in nature; it awakens all the senses and, in places, bears the hallmark of Jan Švankmajer, if the latter had been born an essential optimist, that is. Film as a whisper emanating from smiling lips. (Viktor Palák, KVIFF)