Miryam Charles

Jazz. Haiti. Plantains.

Told through letters and enigmatic glimpses of images, Miryam Charles’ film depicts a woman’s travels to Haiti to meet the lover of her partner.

Following the shooting of a documentary on the death of her daughter, a mother reflects on her own life and especially on the passing of time.

Following a crushing defeat, a group of vigilantes get together to record an album of revolutionary songs.

Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.

Following the disappearance of a man in Scotland, his daughter recalls words chanted before nightfall.

Summer 1993. Marthe, 12, convinces her brother to run away from home and from the Haitian heritage they both reject. Joined by their cousins in a park, they debate what their future might hold. But as the hours pass, the children begin to realize that what they’re trying to escape is also what binds them together most deeply.