Liliana Villaseñor

In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.

Romero, a 23-year-old Indigenous man who used to drive a three-wheeled mototaxi (TucTuc) in his rural town, flees local gang extortion and migrates to Guatemala City. He finds a job as a security guard at a commercial center, where he falls in love with a trans woman who runs a local business. Together, they build an emotional sanctuary, but their bond is quickly threatened by the deep-seated prejudice and hostility of his coworkers.

"El Grillo" trains with his best friend "Espinas" and other young boxers. The dynamic of the gym is altered when "El Grillo" brings his little newborn baby, alias "La Chapulina".

Paloma and Amaru have an almost perfect relationship – until Søren appears and turns everything upside down.

On their way back home from a baseball academy’s tryouts, Pedro and Lucio are taken hostage and turned over to a criminal group. The teenage friends are forced to fight each other to death; Pedro defeats Lucio and manages to escape. Pedro receives help and refuge with Lucio’s family and he witnesses the family’s collapse and pain. Pedro is tormented with guilt and fear, he cannot tell his friend’s family the truth.

Miriam teaches sign language in the mornings and is part of a professional theater production in the afternoons, maintaining a stable and passionate relationship with her girlfriend Lola. Although her life is very much connected to the routine of a deaf person, her world begins to crumble when she discovers that she is losing her hearing.

Ale and Valo, two children of the same age, live a paranormal experience, where revealing the truth of the shadow that haunts them is the mission.

According to the International Institute for Strategic Studies, Mexico became one of the deadliest conflict zones in the world in 2017, second only to Syria. In 2008, the Mexican government sent the army to Chihuahua on the Mexico-Texas border to fight drug traffickers. What seemed like an attempt to control the cartels turned into state-sponsored disappearances and the murder of journalists, human rights activists and civilians. The survivors and those threatened by the conflict pushed at the unwelcoming border of the United States, hoping for asylum. With stunning visual poetry, director Marcela Arteaga weaves together a record of their memories told over the backdrop of the once-vibrant landscape of the Juarez Valley. She also highlights the extraordinary work of Carlos Spector, an immigration lawyer born in El Paso, Texas, who fights to obtain political asylum for those Mexicans fleeing violence.