Marco Alessi

Seb takes his friend Terri to witness a triumphant celebration of queerness, Derek Jarman’s camp and playful canonisation in his garden at Prospect Cottage.

In 1723 London, Thomas Neville is discovered cruising in the public toilets and forced to take refuge in a Molly House. There, he encounters a secret community as they prepare for a night of festivities.

Over the course of a night out in a queer club, Raf struggles to find his place among the crowd until he stops trying to force the narrative and just lets himself go with the music.

This year marks the 30th anniversary of film-maker Derek Jarman’s canonisation by an activist group of gay male 'nuns' known as the Sisters of Perpetual Indulgence. At the time in 1991, Derek Jarman was the most prominent person in the UK living openly with HIV. He was outspoken, radical and unapologetically queer.

Toni, aged 13, doesn't fit in at school. One day, everything takes a turn for the worse, but the internet comes to save her.

Tam gets on the first tube home, plugs himself into his phone and begins reliving his night out via social media stories.

Christopher Clark was an eco-warrior, a remarkable Scotsman who created his own personal Outpost of progress in the heart of the Amazonian rainforest. It was the model for a utopian society based on the perfect balance between nature and technology, protected and run by the inhabitants of the forest. Unfortunately, the situation got worse year by year, and in the film, a new huge wildfire now threatens to destroy the Outpost. Chris takes a gamble and decides to pit an equally spectacular event against the destruction of the forest: a Pink Floyd concert inside the green inferno, as a way to convince the Brazilian government to set up a nature reserve. To a dreamer like him, anything is possible, and he may well be right: in a world careening towards the apocalypse, being a bit crazy is the only form of resistance there is. But can we really save the rainforest? We, the children of the same capitalist system that is destroying it?

On the set of a luxury car commercial, an overlooked assistant seizes his chance to get noticed by the star.

Collection of tech-related short films marking the 30th anniversary in 2019 of the World Wide Web.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Pasquale Donatone, aka Tony, is the taxi driver who drives us through America land of dreams and Italy land of broken dreams. Tony is a backward deported immigrant. He left italy 40 years ago when he was child and he became American but he did some mistakes, more than one. The biggest was to sign to be deported, instead of go in jail for ten years because of its second work: loading illegal mexicans immigrant and delivery drugs. Now he was deported in a small town in South of Italy, and he has to wait ten years before he can return legally to US but ten years aren’t easy to live. The waiting time is too long and Italy is a country without hopes. For sure he can’t wait anymore. A story of immigration, drug, love and sense of union in a country that change you inside, the United States of America.

Sisters Josie and Billie and their single mother Deb navigate life armed with nothing but poor judgement and self-esteem exclusively tied to people who couldn't care less about them. They're vain, selfish, heavily in debt, pathologically desperate for affection and bursting with misplaced, terrifying love.