Luca Onorati

An interview with film producer Goffredo Lombardo, whose Titanus Films was bankrupted by Luchino Visconti's extravagant spending on "The Leopard."

From the book by the same name by Ninni Ravazza, "Diario di Tonnara" tells the story of the towns, villages, communities and adventures that dictate the daily lives of the tuna fishermen in Italy.

Through rare archive footage, the documentary traces the forty years of Enver Hoxha's communist regime in Albania, revealing cinema as a weapon of power.

Nico and Ray are surrounded by a gang of friends who love to have fun and brighten up the gray days of Milan's suburbs. They believe that love and friendship are the key ingredients for escaping the slums where they live. Between rap songs, Nico and Ray's friends try to survive day by day.

As part of the centenary of the Great War celebrations, this film focuses on a crucial moment of the conflict: the intervention of the United States in Europe.

In the early days of March 1991, a number of ships laden with people made their appearance on Italy's Adriatic shores, marking what would later be known as the 'Albanian Exodus'. Who were the people on the ships? Where were they fleeing from? And where are they today. This is the story of a journey, the story of the ships and of the people who fled on them.

April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.