Golda Schultz

The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.

Mozart’s Le nozze di Figaro returned to Teatro alla Scala in 2016 in a new production directed by Frederic Wake-Walker and conducted by Franz Welser-Möst. Created to mark the 225th anniversary of Mozart’s death, the staging offers a fresh perspective on the composer’s celebrated comedy of love, deception and social hierarchy. Antony McDonald designed the sets and costumes, framing the intricate intrigues surrounding Figaro and Susanna’s wedding. The international cast features Markus Werba as Figaro, Golda Schultz as Susanna, Diana Damrau as the Countess, Marianne Crebassa as Cherubino, and Carlos Álvarez or Simon Keenlyside as Count Almaviva.

The Deutsche Kammerphilharmonie Bremen, conducted by Omer Meir Wellber, takes over Neuschwanstein Castle in southern Germany for a lyrical concert featuring soprano Golda Schultz, tenor Rolando Villazón, and baritone Ludovic Tézier. In this grandiose building constructed by Ludwig II of Bavaria, the prestigious trio performs works by Mozart, Verdi, and Lehár.

Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.

Met Music Director Emeritus James Levine conducts Tony Award winner Julie Taymor’s production of Mozart’s masterpiece, Die Zauberflöte. Golda Schultz makes her Met debut as Pamina with Kathryn Lewek as the Queen of the Night. The holiday presentation of The Magic Flute, an abridged staging sung in English for families, was the first Live in HD performance to be transmitted. This is the first time the full-length German opera will be seen in the series.

How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.