Lefki Papazafeiropoulou

The rivalry between a professional doctor and a midwife in a small Greek village. A retired doctor decides to settle down with his family in his wife's village and opens a medical practice. However, he gradually comes into conflict with the village midwife and her unorthodox medical practices, namely eye-opening and amulets. The midwife's son, a medical student in Athens, comes to the village for vacation, falls in love with the doctor's daughter, who tries to reduce her influence over the villagers.

A veteran general, living poorly but honestly with his wife and his daughter, is visited by his future son-in-law who informs him that he is going to immigrate to Australia. On the same day, his cousin Apostolos pays him a visit as well and tells him that the government intending to honor him has decided to construct his statue and place it at the small square in front of his house.

Struggling to make ends meet, the talented but still unrecognised artist, Miltos, knows firsthand what's it like to try to live off art alone. Already behind in the rent, Miltos is utterly unaware that he has just inherited a fortune from his long-lost uncle; a piece of vital information only the secretary in the notary's office, and her statuesque friend, Popi, know. Under those circumstances, Popi hatches an ambitious plan, intent on getting her hands on Miltos' money; however, the impecunious painter is head-over-heels in love with Litsa, the beautiful daughter of the neighbourhood's taverner. Will Miltos give in to Popi's intoxicating beauty? But, what is more precious, love or money?

A milkman has his shop at the affluent Athenian neighborhood of Kolonaki and is in love with an aristocratic girl.

Three short stories satirizing the Greece of “Change” in early 80's. A take-off on the police dramas of Giannis Maris; a satire of the films of the New Greek Cinema; and a satire of the “fustanella (Greek kilt)” films as well.