Gleisi Hoffmann

Acting

Gleisi Hoffmann

No biography available.

Known For

Apocalypse in the TropicsApocalypse in the Tropics · 2025
Apocalypse in the Tropics
7.42025
MovieDocumentary
Through deep examination, this documentary from Oscar nominee Petra Costa explores the profound impact of evangelism on Brazil's political landscape.
The TrialThe Trial · 2018
The Trial
7.52018
MovieDocumentary
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
Visita, PresidenteVisita, Presidente · 2022
Visita, Presidente
2022
MovieDocumentary
The 580 days that president-elect Lula, from Workers Party, spent in prison are the subject of the documentary "Visita, Presidente". The feature brings together unpublished stories of figures who were beside him in prison.

Filmography

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The TrialThe Trial · 2018
The Trial
7.52018
MovieDocumentary
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

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