Fernanda Marques

Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

João, in the presence of a compelling waiter, re-signifies a problematic love from the past.

See what Suzane von Richthofen, Daniel Cravinhos and Cristian Cravinhos did in the days following the brutal crime that led to the Richthofen couple's death. This film reveals crucial moments of the police investigation, testimonies and the confession of the crime.

By Those Hands that Lead Me tells the tale of Amora’s (Fernanda Marques) life: An orphan girl, who dreams of being a photographer. At 22, while working in a library with her friend Fran (Bruno Suzano), she goes through the challenges of becoming an independent woman, having to deal with the pain of losing her parents. The feature film debut of Brazilian actor/director João Côrtes, By Those Hands that Lead Me is a nuanced coming-of-age film about love, empowerment and overcoming your fears.

Every Shadow Seems Alive

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.