Teinosuke Kinugasa

A romance between a young koto prodigy and the head of a koto school’s daughter.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

A heartbroken beauty has slipped into the ranks of the "Golden Horse" circus troupe. The circus's two star performers, vying for her affection, face off on a perilous trapeze, staking their love and friendship on the outcome.

Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

In the ruins of postwar Osaka, performers and drifters gather in a rundown tenement known as "Geinin Mura." Osen, a kind-hearted seamstress, supports her eccentric former-comedian father while carrying the memory of a lost love, Sо̂ji. After a misunderstanding separates them, she marries the cheerful performer Yonetaro, only for tragedy to strike soon after.

An elderly man visits his mentally ill wife in a psychiatric hospital. Years earlier, she had tried to drown their child and then take her own life. Crushed by guilt and powerless to change what has happened, he stays on at the clinic as a janitor. Soon, their daughter comes to tell him she is getting married, and with her arrival come painful memories and tormenting visions.

During the late Meiji period, at the beginning of the twentieth century, Sumako, a country girl, becomes a great actress with the help of Hogetsu, a scholar who brought European realism to the Japanese stage. The relationship leads to the end of his marriage and the breakup of his Arts Society.

A Girl isn't Allowed to Love is a 1955 Japanese film directed by Teinosuke Kinugasa.

The Dai-bosatsu toge trilogy is based on Kaizan Nakazato's unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Ryunosuke Tsukue, a nihilistic swordmaster who doesn't hesitate to kill anyone, bad or good.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

A kind-hearted medical student, an ill-fated young woman, an innocent young lady in a school uniform, and a medical student whose rational beauty conceals her true feelings… The stories of love and friendship that unfold in a poor town shrouded in fog.

The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.

In 1887, two businessmen, Echigo-ya and Kitahara, compete for railroad construction authorization from the government. The minister states that a local noble must not object, and his missing younger brother is the only one who could sway him. Meanwhile, Omitsu, a hotel employee tired of Echigo-ya’s wife’s arrogance, teams up with Kitahara to stage a scheme where a vagrant young man pretends to be the noble’s lost brother, aiming to trick and embarrass the wealthy woman.

From the pen of Yoshikawa Eiji comes this exciting story. The Naruto Strait separates Tokushima from the islands of Awaji and Honshu. On Tokushima the mad lord dreams of conquest and forges a bloody revolt against the Tokugawa shogunate. A mysterious swordsman named Noriyuki Gennojo has crossed Naruto’s waters to uncover the Awa clan’s secrets. He puts his life on the line after finding a testament of Awa’s secrets, written in blood by a dying man. Joining Noriyuki are a female ninja who loves him, and the beautiful daughter of an enemy who’s sworn to kill him. Awa’s defenders willl stop at nothing to prevent the blood-soaked letter from reaching the shogun.

Okoto is blind since childhood. Her young servant Sasuke is in love of her. One day Koto is badly scarred on her face. In order to preserve the memory of her once beautiful face, Sasuke takes away his own sight.

Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.

Disguised as a beggar monk, Ryunosuke is harassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall. The third film in the Satan's Sword trilogy.

After killing a man who owed him neither a debt of gratitude nor a grudge, Tokijiro decides to leave the yakuza life behind in accordance with the code of honor—but becomes an assistant to yakuza for the sake of the man’s orphaned child his mother.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

1959 Japanese movie

A bizarre duel on a snowy night with a woman at stake, a sudden and brazen murder, and a thrilling chase of love and passion.