Maxim Gorky

A group of people from the wealthy middle class in engage in quasi intellectual quarrels and discussions trying to find some meaning in their comfortable and indolent life. Adaptation of the play by Maxim Gorky.

Engineer Yakov Bogomolov is a workaholic who is carried away by his work it so much that he does not notice what is happening around him. Young wife Olga is cheating on him, friends betray, companions do not understand and deceive...

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Foma Gordeyev, the son of a wealthy Volga merchant, doesn't want to continue his father's work. The mind is sickened by the dirt and injustice of life around him. Foma is seeking solace in a drunken rampage and wild antics. After many years of desolation, he is half-ill at the opening of a night shelter built with his father’s money.

The eve of the 1905 Russian revolution was unquiet at the Skrobotova and Bardin factory. In response to the fair demand of the workers to dismiss the cruel and rude master, the masters close the factory and call in the troops. They shoot of one of the workers, who failed to restrain a rush of hatred towards the owners, ending Skrobotov's life. Gendarmes arrive at the factory. They succeed in uncovering the social democratic organization in the factory. The arrested workers oppose hysterical cruelty of gendarmes with calm, confident courage.

Theatre adaptation of Maxim Gorky’s timeless drama first published in 1901, about narrow-mindedness, exclusivism, containing one’s self in some arbitrary, imaginary borders, strict divisions… All these traits help to define the various situations and human relations within the text.

Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary.

An intimate drama set in a remote railway station that grows into a tragedy of the whole generation and epoch, based on a Gorki story.

A small town boy dreams of being a famous fiddler; Meanwhile, two convicts escape from prison and hide in the woods.

In the center of the film is a powerful, peculiar, talented Russian man, the largest timber merchant Yegor Bulychyov. He is experiencing a tragic discord with himself, with the world that surrounds him, with great social injustice, to which his whole life has been given. The idea of ​​the film is to determine the purpose and meaning of the existence of the human person, consider its polysyllabic and versatile connections with the world.

“Without the Sun” is the first name that Gorky himself gave to his play and which most closely matches its essence. For this work is not about the "day" and its people, but about the indestructible, passionate desire of people from darkness to light, to the sun. "

Based on the play of the same name by M. Gorky, staged by the State Academic Maly Theatre of the USSR.

Based on Maxim Gorky's play of the same name, staged by the Kuibyshev Academic Drama Theatre named after Maxim Gorky.

It's a hot, beautiful summer in 1905, and Russia's elite retreat to the countryside to swim, sip champagne and start affairs. When they're having this much fun, why care about anything else? But Varvara just can't shake the feeling that their holiday idyll is built on borrowed time. As the party continues, how long can they ignore the storm on the horizon? Deputy Artistic Director Robert Hastie (Standing at the Sky's Edge) directs Maxim Gorky's razor-sharp portrait of class, privilege and denial, revived for 2026 in a new adaptation from Nina Raine (Consent) and Moses Raine (Donkey Heart).

Inhabitants of a flophouse struggle to survive under the harsh treatment imposed by the landlord, Kostyleva. One resident, young thief Wasska Pepel, ends his affair with the landlord's wife, Vassilissa, and takes up with her sister, Natacha. Pepel also befriends the baron, a former nobleman fallen on hard times, but Pepel's attempts at happiness are complicated when he's accused of murder by a spiteful Vassilissa.

This colourful, music-filled and sensual melodrama based on early stories by Maxim Gorky tells the fatal love story between the beautiful and rebellious girl Rada and the handsome horse thief Zobar. The story is set in early 20th century Bessarabia, now part of Moldova, then belonging to the Austro-Hungarian Empire.

Unwilling to dedicate herself to her husband, the restless wife of a provincial village fisherman seeks out love from every man she meets. This results in a romantic triangle that is at once disarmingly simplistic and intensely dramatic.

A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.

A television play based on the eponymous play by M. Gorky.

A paint-on-glass animated film (one of the first of its kind) about a dying falcon and a stupid snake.

Based on the play of the same name by Maxim Gorky.

The drunkard and his wife become orderlies in a cholera barracks during the outbreak.

July-December 1917, the country is undergoing a revolution. "The pillars of society" are alarmed by the looming on them menacing events. Some of them are ready to fight with the revolution, others — among them industrialist Vasily Dostigaev trying to "adapt»

The play “Zykovs” was written in 1912, during a time of confusion and depression in Russian society, a period of pre-war spiritual and moral decline. The state of the world is depicted here with a single phrase: “there was confusion of concepts”... The film-performance based on the eponymous play by M. Gorky, directed by the Moscow Drama Theater named after A.S. Pushkin.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

The life of the intellectual Samgin, depicted against the backdrop of the grand panorama of Russian life from 1877 to 1917.

The family of Russian intellectuals during the first Russian revolution is faced with a "cholera riot". One of the characters commits suicide, another goes mad, the third suffers from unrequited love.