Ondřej Trojan

Oddsockeaters are small invisible creatures, responsible for socks that go missing when we only have one left from a pair. But unlike them, Seed’s gang wants to have a pair. In the end, they began their fight between two sets of values.

In 1943, a childless couple, the Čížeks, decide to hide a Jewish refugee, David Wiener, the son of Čížek's former employer, in the secret pantry of their apartment. Čížek is aware of the danger into which he has brought his household and his neighbours, but he takes helping his fellow man in need for granted. But at the same time, as a largely unheroic hero, he is dying of fear. His personal situation is greatly complicated by the approaching end of the war, when he faces danger from both the Germans and his "honest" fellow Czechs...

Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

Ema & Death’s-Head deals with the precarious border between humanism and the protection of one’s own life in situations when one excludes the other. Marika Sándorfi is hiding a Jewish boy during the dramatic era of the First Slovak State on the Slovak-Hungarian border. Šimon Holan, the boy in hiding, has a special ability to survive thanks to dreaming and a child’s fantasy.

A comedy on a typical children summer camp from the socialist time, telling the truth about it: combination of strange cynical leaders, absent-minded young assistants with complexes, teenage girls desperately in love with them etc. What a pioneer camp pretended to be and what it really was about. All this produces many embarrassing situations.

Belarus between 1941 and 1944 was an apocalyptic place with nights lit by flames from hundreds of torched villages and with soil soaked in the blood of countless victims.

A computer programmer and his son are going out of the city for vacation.

Milan and Goran are two criminals who smuggle illegal immigrants. One night after they complete a smuggle, they discover that one of the immigrants has left a baby behind. Milan and Goran decide to sell the baby to Lubos and Eman, who are responsible for running an illegal baby adoption center. Lubos and Eman make attempts to sell the baby to Miluska and Frantisek, a barren couple.

Marcela can't bear Jarda any longer, so she threatens divorce and takes the kids to her mom's, whose husband is a creep. While Marcela is there, Jarda is jailed, because he is part of a gang steeling cars and they get caught in the act. Benes, the urbane man whose car got stolen by Jarda and his gang, befriends Marcela. Soon she feels drawn to Benes and all of a sudden she must make up her mind: Jarda is still sexually attractive to her, but Benes offers security, and her own body and mind may not pull at the same strand.

Artist Bedřich Mára (Bolek Polivka) is unable to find much secure work due to his public antagonism toward the ruling Communist Party. He has a wife and two children. Life begins to change when art historian Alois Fábera (Jiři Pecha) begins working on a piece about Bedřich, leading to a job offer from a Party official. Things are looking up, until the wrong people hear portions of the historian's writing.

Forgotten Transports to Poland is a documentary by Lukáš Přibyl, part of a series that explores lesser-known Holocaust deportations. This film focuses on Jewish deportees sent to little-known camps in eastern Poland during World War II. It highlights their survival strategies and personal stories, offering a human perspective on these largely forgotten events.

Vita Jamie already exceeded thirty, working as a poorly paid sociologist, husband, tired father of two children. In the sociological institute involved in research attitudes of secondary school students. To better understand the target group, issued to the student daily and sits in his high school benches. Suddenly, as if they came back in time, they feel young and carefree again, she saw a lot of promises. Real life is but a fool can not log on early for their rights and duties of ...

A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

MURDEROUS TALES is a special effect animated feature film combining live actors with 3D/2D animation, puppets and back projection. It contains three stories: Antonio Cacto, Lighthouse and The Big Man, plus three ultra-short films called Charge the Dragon. Each episode uses different production technology and is in a different genre, but both their form and their content are related. All the episodes are about double standards and the topics of heroism and death. Something very small meets something very big (a tiny knight meets a huge dragon, an old Mexican goblin meets a man, a tiny Professor meets real-life cows, two mobsters meet the Big Man). All these meetings result in the heroic death of the small principal characters. Each script sees heroism and death differently.

This fascinating historical drama looks at the life of "the Czech Schindler," Zdenek Toman, a controversial figure who was an unsavory politician and dubious entrepreneur, but also the savior of hundreds of Eastern European Jews.

The story of the black Christmas comedy Doblba! takes place in the extended Muk family. The main character is Karel Muk, a simple man with simple dreams, living a somewhat stereotypical married life with Tereza, the stepmother of Karel's daughter Valinka. In the words of the script: ... Karel worked for many years as a cemetery caretaker and liked to say: "Only death is certain," but he never admitted that it could affect him in any way. There wasn't much to praise him for. His brother Robert Muk, on the other hand, is a confident and practical businessman, and the youngest, Pavel, seems unable to decide whether to find meaning in life in protecting the Šumava forests or in erotic games with secretaries. One day, shortly before Christmas, the Muk family receives an unexpected inheritance.

A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life she saved, a man from a remote mountain village where time stopped 150 years ago, agrees to hide her as his wife.

Through photographs, home videos, letters and personal recollections, Ester Geislerová composes a portrait of Japanologist, translator, journalist, educator, calligrapher—and her father—Petr Geisler, a charismatic charmer who remained mysteriously elusive even to his closest family.

The end of summer in the film also means the end of life. Vladimír Holas dies. Who is Vladimír Holas? Painter, sculptor and teacher of district importance. He painted many beautiful pictures - but not as great as he wished. He wasn't in the party, he wasn't in the Union of Artists, he didn't sell out to the past regime. The house in the beautiful countryside is his last refuge, death is inevitable and he doesn't want to die in an estranged hospital. He wants to crouch standing up, the way he lived.

The fictional town of Šlukdorf. Here lives a car mechanic who calls himself Bourák. He loves rock and roll, dance, his own gelled hair and, despite being in his fifties, simply “refuses to grow up”. He forgets he has a wife. The only things he loves are Elvis, Cadillacs and anything connected with 1950s America. His daughter Kamila is fed up with life in the squalid town and with her irresponsible father. She is fed up with working in a casino with no windows, open round the clock; that her mother has caught the eye of the local gangster, who is clearly a dimwit; with her father behaving as if he has gone completely barmy. Kamila realizes she has to do something about it. She has to confront her parents with reality, as cruel as that may seem. A black comedy about everything that can happen because of a summer storm, a set of golf clubs, rock and roll, and one incredibly angry daughter.

The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.