František Šlégr

As the world progresses into the industrial age, a professor studying the "nature of pure matter" is spirited away by a would-be dictator and connived into building a super-bomb, as a young reporter and a girl rescued from the sea attempt to warn him of their mutual kidnapper's intentions to dominate the world with a new and more-deadly-yet weapon.

A 20th century man lands on the Moon and discovers that Baron Munchausen has beaten him to it, accompanied by Cyrano de Bergerac and the characters from Jules Verne's novels about the conquest of the satellite.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Working in the city office is a bitter clerk who believes he has only 14 days to live and so he bravely stands up to his bureaucratic director.

The happenings in a shoe factory serve as a not very thinly veiled examination of the pros and cons of both socialism and democracy.

Six-year-old Anička Čejková has moved with her parents from the village to a new housing estate in Prague. For now, she and her father are alone, but her mother is due to return from the hospital soon with her newborn Ondřej. Anička gets lost during her first walk around the neighborhood, but a nice young woman helps her. She is teacher Řeháková, in whose class 1. And soon Anička will start. The first-graders like the school, and when Anička confides in them that her mother will be back soon, they decide to give her a festive welcome.

The fates of the women are repeated: the 16-year-old daughter of a 32-year-old mother is also pregnant. Like her mother, the child remains unmarried and fatherless. From him, the girl receives only an exotic postcard with the titular three camels...

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.