Sabine Lancelin

Middle-class Parisian suburbs: Blanche and Léa, office worker and student, meet and become friends. Léa is going out with Fabien, but is thinking of leaving him. Blanche falls for Léa's handsome and witty friend Alexandre, but is tongue-tied whenever she meets him. Léa goes on holiday and Blanche, still smitten with the dashing Alexandre, begins to get to know Fabien.

When his clan, including his wife and baby girl Néa, are massacred, Ao, a desperate Neandertal man, decides to leave the North country where he has been living for the South where he was born. His aim is to join his twin brother, from whom he was separated when he was nine. On his long and adventurous way home, he meets Aki, a Homo Sapiens woman...

Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everything about her, secretly follows her when she goes out, asks questions all the time, even in the most intimate moments. Ariane seems to take it all in stride, but Simon realises that she's hiding something.

A photographer, Isaac, is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

A single mother gets entangled in a web of lies to protect her sons.

A serial killer stalks a woman he befriended after her car broke down.

Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.

A group of friends blessed with the privileges of birth and status are about to leave for a short break. Carl is the first to arrive and discovers that the four-star hotel they've booked is nothing more than an ordinary family pension. This means the beginning of social clashes and unexpected approaches.

Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.

On a train to Algarve, a young man recounts to a fellow passenger his past relationship with an eccentric young woman.

43-year-old Armand Lacourtade, a man who sells farm machines in the country, is getting sick of his homosexual life. When he encounters a young girl called Curly, he changes sides. Chased by her parents and the police, they brave all dangers to live this forbidden love and become an odd couple. But is it really what Armand dreamed about?

38 years after the events in the Luis Buñuel classic Belle de Jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

Dora turns 16. Strangely, for some time now, she has been eating like an ogre and locking herself with her friends for long hours around a strange thing, stirring up her mother’s sick curiosity.

Lucy, regarded as crazy, has a son.

When Nénette discovers the identity of her father in a letter, she quickly goes off in search of him. But instead of finding her father, she is met by her half-brother, Paul. Paul, a bitter man who gave up his dream to take over his father’s pharmacy business, is less than thrilled at the arrival of his ‘embarrassing’ half-sister. After refusing to take her in, he soon gets a taste of his own medicine. Under the influence of a potent drug, for one day Paul is generous, happy and sensitive. The next morning, however, once the drug has worn off, his nasty side comes back...

An exhausted militant wants to take a break from the incessant frenzy surrounding him. His country’s dictatorship is on its last legs and chaos reigns. His wife Sylvie leaves their country for France. She writes about the new democracy struggling to be born back home. His daughter Joyce must hide out in the deserted childhood home in the solitude and infinity of the Black Beach. Several adversaries – the militia of a hazy regime in his native land and the Paris police – wage a strange game of chess in which he is the pawn. Threats abound and he’s haunted by his past, his fears, dead friends. He has three allies: his wife, his daughter, and an old girlfriend from his fighting days.

A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.

Lola, a young, energetic and cheerful student lives in Paris. She’s preparing to sit her law thesis, and works part-time at Chloroville, “Our green fingers look after your interior plants”. She has split up with Simon, a lawyer in his thirties who is always busy defending “the trial of his life”. Their stormy relationship held Lola back, and although they’ll love each other forever, it won’t be on an everyday basis.

Presented in 2 parts, this 83 minute piece documents Wieder-Atherton's idea to do a set of pieces from across central and eastern Europe, including Russia. Some weren't originally written for cello, but she had them transcribed. Some were songs for voices, which goes with Wieder-Atherton saying in an earlier film she made with Chantal Akerman that she aspires to play the cello in a way that it carries the specificity of emotion of the human voice. She explains at the beginning of both parts how she feels each country in the region has it's own personality expressed in its music, coming from its individual history and culture, but that each land in the area is also 'impregnated' as she puts it, by the others, so there are certain elements that run throughout.

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "Cristóvão Colon Era Português".

Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.