Michael Barry

A young woman leaves her backwards hometown to go to London to find a runaway suitor. What she doesn't know is that she has inherited a strange ability; if she's in the vicinity of a machine for more than fifteen minutes, it stops working.

In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.

Troubled married couple who, through the intervention of a mysterious stranger, settle their problems and move on with their lives.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

An epic chronicle of the dysfunctional Plantagenet family from the accession of the young Henry to the death of Richard, last of the Plantagenets. The vacillations of the priestly Henry lead to ungentlemanly behaviour, civil war, treason, murder, regicide, fratricide, and the relentless pursuit of power so characteristic of the Renaissance.