Mario Lee

The National Intelligence Service (NIS) intervened with the 2012 presidential election, and the court has acquitted NIS. This documentary tracks the long process where a special team of prosecutors formed after the inauguration of PARK Geunhye administration discovering the truth under all kinds of external pressures and obstructions. This documentary also tracks the footsteps of the late LEE Namjong, who reminded us the NIS Intervention incident.

Matsuda Shunji, a freshman of Amagasaki High School in Osaka faces a difficult decision regarding the revelation of his Korean name, Lee Jun-Chi. The teenager is aware of the difficulties of living in Japan with a Korean name, and so dreads the day when he is supposed to make this decision. He ultimately meets a loneliness whereby we are left to witness the outcome of his dilemma.

Have you ever learned something just for fun? The Little Garden Sisters in Myeongju-dong, famous downtown in Gangneung, have been learning photography with smartphone for the past three years. They decide to go one step further and shoot a movie. Their average age is 75 years, but it is still fun. Their short film My Neighborhood Postman was invited to film festivals and won awards. So now, the new project is documentary filmmaking. However, it is not easy to accept the wrinkled and old self inside the frame, and the older sisters are now unable to move and can no longer film together. Besides, it is difficult to even get together due to COVID-19. Will they be able to complete the documentary?

Sunk in chronic lethargy, "I" follow my mother on a walk along Namdaecheon stream and recall an old elementary school assignment: catch a planarian. I never found one back then; I just played on the trampoline ("bang-bang") nearby. An unsolved mystery remained: do planarians really live in Namdaecheon? This film is the story of a middle-aged woman with a new ADHD diagnosis who, in trying to find the answer, tumbles down a rabbit hole of planarian obsession.​

Mad minutes is a documentary about the memories of civilians who were killed by the Korean army during the Vietnam War. It testifies to the insanity and barbarism of war that does not stop, even through the memories of survivors, who are living with the terrible memories of war buried in the heartbreaking historical sequence where countless civilians were sacrificed. The director tells a forgotten part of history through the lives and testimonies of the survivors. It is a record of the scars of war that can never be erased, in line with the twisted modern history: Before even properly apologizing for the massacre of Vietnamese civilians caused by the dispatch of South Korean troops to Vietnam in the past, the government dispatched troops to Iraq again. - Mad Minutes: "To soothe the boredom of American soldiers dispatched to Vietnam during the war, we give them 2-3 minutes once every two months to allow them to freely shoot at anything other than the target inside the unit."

It is criticized that the resident card, which has been implemented since 1968, is in fact only a fascistic system of state power to classify and control the people. Fingerprinting is the most essential part of the control process, and the work explains that only after completing the humiliating fingerprinting process can you enjoy your rights and duties as a 'citizen'. The director is a person who has participated in the opposition to fingerprinting since May 2000. The movement of the work follows Lee's struggle leading up to the administrative lawsuit, intersecting the arguments of the government and the logic of opponents of the resident card.