Hans-Christoph Blumenberg

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

June 17, 1953 - the day on which workers in the former Soviet Union took a stand against their government for the first time to protest against excessive labor standards. The protests escalated into a political uprising, which was only ended by the Soviet army using tanks. 50 years later, the docudrama "The Uprising" captivatingly depicts the historical events of those days that threatened to unhinge the SED system.

Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered. In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

A television reporter searches for alien life forms and gets entangeled in a web of intrigue.

Home movies shot on Super 8mm by W+B Hein over 10 years.

A clumsy Elvis-imitator and an unsuccessful russian dancing-master save a banker from the attempted murder of the Mafia.

Hamburg student Gabriele constantly dreams of her boyfriend in Australia. The reality is different, because while she sits in lecture halls during the day, she is a dancer in a peep show at night. The place is run by the mysterious Arnold, who not only has his eye on Gabriele, but is also carrying around a secret that he soon lets Gabriele in on: his strip joint is just a pretext for a much more lucrative business, in which a certain Mrs. Lohmann is pulling the strings. Her boss Arnold, with whom she is having an affair, is doing dirty business. He is threatened by a killer because he wants out.