Ettore Bevilacqua

Aging small-time conman Augusto works with two younger men: Roberto, who desires to become the Italian Johnny Ray, and Carlo, nicknamed Picasso. Through a series of mishaps and personal entanglements, things go badly for Augusto.

A rich, mentally-unstable man with a penchant for playing deadly S&M games with women who resemble his dead wife, sparks off a chain of bizarre events after getting remarried.

Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.

Oscar Chartier plays a dangerous double game by selling secret plans to the German and American secret services, to ensure a comfortable future for his daughter, Sophie. But the plans are fake and Chartier decides to get help from his good friend Simon Templar.

A baron, nicknamed Paolo il caldo (Paul the Hot One) because of his womanizing, asks his son, on his deathbed, to leave women alone and only think about work. The son tries hard but only gets into trouble.

Italy's best loved comedy duo play rival priests in the neighboring towns of Roccapizzone and San Antonio. Did Franco crash his bike through Ciccio's new stained glass window on purpose or was he just in town for their mutual confession? Their main beef with each other concerns their opposing football teams and this feud takes up a great deal of the picture.

Three men consider selling their souls to Satan in order to possess a beautiful woman.

A comedy centered on the character of Pepito. It is an Italian western made before the Spaghetti western era and it is at the same time a parody of the western genre.