Sidney Franklin

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

In 17th-century France, young D'Artagnan seeks to join the King's Musketeers, but instead befriends legendary musketeers Athos, Porthos and Aramis. Together, they become embroiled in political intrigue surrounding King Louis XIII and his adversaries, particularly the powerful Cardinal Richelieu.

Following a series of misunderstandings, wealthy young aristocrat Gerry Lansing deserts his wife Alix, whom he believes has eloped with his friend Alan Wayne. He sails for South America, leaving no trace of his whereabouts. In Peru, he becomes a plantation owner and marries local girl Margarita.

A young woman's split personality creates a complicated life.

Rose Rosetti, the orphaned daughter of a New York gangster, and Danny Lewis, another orphan, have been brought up by Sara and Abraham Kamisnsky, an elderly Jewish couple with an artificial-flower shop on the lower East Side. Rose works in the shop and Danny, after defeating the ward-bully in a fight, joins the political gang.

An orphan boy wins a prize for his drawing.

After several amusing gags, including one in which a tough character seems to be holding up the pawnshop but is only selling his gun, Abie sees Kitty Dolan, whose father is running for alderman, and it is love at first sight. A rival candidate makes trouble and plants a bomb in the shop but Abie turns the tables on him. Election day finds Dolan's followers too lazy to vote. Abie stirs them up by offering to lick them and then running to the polling place with the mob at his heels. Dolan wins and so does Abie.

A sequel of sorts, the Jewish ethnic comedy characters of Potash and Perlmutter return from their 1923 debut film, also produced by Goldwyn, but with a different actor for Potash.

Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.

Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.

Jean and Marise, young lovers forced from their homes, flee to Paris. Irrevocably separated there, their lives deviate into the slums and hard labor of low-class French society. All the while, the two desperately search for one another.

A vaudeville and nightclub performer becomes successful and forgets who his friends really are.

Lummox is a 1930 American Pre-Code sound film directed by Herbert Brenon, released through United Artists, and based on a 1923 novel by Fannie Hurst. The story of Bertha, a young immigrant woman who cleans the homes of the rich and is largely ignored by them, except for a young poet who considers her a muse.

Young society girl Joyce Lyndon is engaged to energetic Grant Garrison, who lures the judge's daughter to a roadhouse for the night and meets his death at the hands of an abandoned wife. Joyce escapes in fright and meets Martin Antrim, who protects her in exchange for an introduction to her circle of friends.

"Matches Mary" has sold matches on the streets of New York for many years and nobody knows her real identity. The truth is that Mary's young son had been kidnapped many years ago and she donned ragged attire while searching for the man, whom she knew, who did it. Years later day she meets him on the street and demands to know about her son, now grown to manhood. The man, now calling himself Foster, escapes but Mary track him to his home. Foster's nephew comes in and announces that he has gotten married while in college. Foster is furious and threatens violence. That night he is found murdered and Peter is accused of the crime, and is put on trial. Mary testifies she was the one who murdered Foster. She is about to be sentenced when a detective brings in a confession from two burglars who admit killing Foster. Peter asks Mary who she is and she replies she is just "somebody's mother." Later, an old friend and a lawyer bring evidence that reunites Mary with her lost son, Peter.

Enid Gregory, a pianist at the Melody Shop, a music store on Broadway, is content with her snappy, routine existence until Janet Fenwick, a society girl whose father committed suicide under a cloud of financial disgrace, comes to Enid's boardinghouse.

Two peasant sisters flee Russia during the revolution and sail to America. One, Olga Farinova (Mae Murray), masquerades as a princess, becomes a noted actress, and marries a millionaire's son. Olga repudiates her sister, Zita (Mae Murray), who has no illusions about her past life or present poverty. When Olga is shot by Kaminoff (Elmo Lincoln), a rejected suitor, Zita is adopted into the husband's family.

Rangy Pete Grainger is a cowboy who saves a rancher and his daughter from being kicked off their property by the ubiquitous evil landlord.

Italian potter Tony adopts an Italian waif, little Tony, and takes him from New York to the West to realize a long-held dream of owning a ranch.

Cullen Landis starred in this silent Western melodrama about a prizefighter accused of cowardice who toughens up on a Western ranch.