Luis Alejandro Yero

Natalia Nikolaevna lives 400 km from Havana, in the city where the first nuclear power plant would be built in Cuba. He arrived 20 years ago from the USSR, to be reunited with her husband and work as an opera singer. In 1992, he began the great crisis, known as the Special Period. Natalia divorced, and rooted in the place gradually discovered him as the most hostile of spaces. Single mother without job opportunities, invented their own stage-a park-, their own -the spectators tourists- and their own livelihood: what gave him for his arias.

Soumaya grew up in Barcelona, and the emotional distance between her and her mother, who is originally from Algeria, often feels vast. That tension is evident in their somewhat prickly conversation about praying and Ramadan. Things shift, however, when Soumaya decides to visit her grandmother in Algeria.

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

A radio plant transmits that Havana and nearby towns have fallen. Hundreds of young people dance in a bunker and a man whispers verses from the Bible at a railway station.

This film about the life of Cubans without a roof over their heads shows how they go about their everyday activities: preparing food, discussing politics, singing songs, reading old texts by Fidel Castro, and sleeping off a hangover. Fourteen minutes of detailed observation of people overlooked by others.