Fabien Bouillaud

Yves Montmayeur takes Crouching Tiger, Hidden Dragon as the starting point for his study of the new female warrior in Asian pop culture. From Beijing to Tokyo and Taiwan, he went to meet with the most iconic muses of this new trend, including Michelle Yeoh, Zhang Ziyi, Shu Qi and Asami.

Sam, 17, is in High School, almost like any kid his age... His only difference is his wheelchair. He grew up with his mother, Nina. The arrival of Vincent, a new kid in school, will change a lot of things for Sam. He will make Sam realize the injustice surrounding him and his group of friends: Lila (with Asperger syndrome) and Tom (death). Together, they 'll create a gang to denounce the lack of consideration they endure every day. Far from feeling like victims, they hope to raise awareness by striking hard.

Barbra Streisand grew up in working class Brooklyn, dreaming of escape from her tough childhood. A stellar student, she resisted the pressure to go to college as her sights were firmly set on Broadway. She was determined to become an actress and landed her first role aged 16, but it was two years later, when she started to sing, that her career took off. Subverting stereotypes and breaking glass ceilings, this programme looks at her rise to stardom and the remarkable achievements of her early career.

Takeshi Kitano is an international icon. We know the actor, the multi-award-winning filmmaker, but many ignore his double personality: the crazy TV star, the street kid from Tokyo close to the Yakuza, and the political satirist who blasted taboos! Can we dream of a better guide to introduce us to the cultural history of Japan?

They're called the "vocal trinity": Whitney Houston, Mariah Carey and Céline Dion are the first divas of the pop era. But what defines a diva?

Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.