Vesa Mäkinen

Pekka arrives back to his home village of Jerusalem to celebrate the last wedding of the village. His own marriage seems to have reached a dead end. The people of the village gather to prepare for the event, and the bitter spectrum of all human life, with its joys and sorrows, is condensed into one summer's day.

Kuningasjätkä is set in North Karelia in the mid-1950s and depicts the summer of 10-year-old Topi at the boating site with his widowed father Tenho.

The life of Rauli "Badding" Somerjoki, a Finnish singer.

Bright young soldier Mertsi suffers a permanent brain injury in the Second World War. In the late 1940s he wanders around the Finnish countryside looking for simple work and relying on other people's help. A workmate, Ville, tells him about his clever Spitz dog back home and the problems with her overlong dew claws. Together with his helpful war buddy Eetvi, Mertsi joins a lumber camp in the middle of a freezing winter, tries hard but finds the work there too strenuous for his body and mind. While he still sees nightmares about the war, in the daytime he keeps dreaming and worrying about the dog...

A cynical city dweller returns to his hometown to sell his family home, but becomes unexpectedly nostalgic.

Martta and Otto are a pair of traveling tailors who claim to be bastard descendants of the Romanovs and wander from town to town in Finland seeking work, accompanied by their two half-witted adult sons, Hippo, Repe and equally silly son-in-law Ventti. The family occasionally turns to crime when they can't quite make ends meet, and the boys begin turning to violence with greater frequency when Otto weakens and Martta becomes the head of the family business. Their fortunes take an unexpected turn when the brothers assault and abduct a man they call Kaspar, who becomes the family's sidekick in their travels. Despite Kaspar's inability to speak, he attracts Martha's youngest daughter, an attractive young woman named Lara, but the family is in disarray when a long-lost half-brother, Laszlo, suddenly re-emerges and tries to wrest control of the clan away from his mother.

Annukka tries to decide whether to take her husband's surname upon marriage or not. Her best friend has a clear opinion about this problem.

The main characters of the film are two small boys who share the throne of Karmapa, the highest office of one of Tibetan Buddhism's main sects and the third in line after the Dalai Lama and Panchen Lama. As with the Dalai Lama, Karmapa is the same soul which reincarnates in each successor to the office, who is identified by omens, portents and other signs. The Karmapa line actually pre-dates the Dalai Lama's, and their respective importance has alternated in the course of history with either the Karmapa or Dalai Lama holding precedence. Only one of the current Karmapas lives in Tibet, who is recognized by the Dalai Lama but controlled by the Chinese government for political ends. The second Karmapa lives in New Delhi, India and was selected by a Tibetan group in exile. The film was shot in India, Nepal and Tibet and features the Dalai Lama as narrator, providing an incisive spiritual and political view of occupied Tibet.