Angello Faccini

A colorful Mexican town. Two half brothers. Romeo and Preciado meet again to honor their dad's memory in a car rally full of adrenaline and banda music.

As an unknown and deadly disease begins to spread, legend has it that it is transmitted between two men, through a simple glance, when they fall in love. While people are accusing her family, Lidia must find out whether this myth is real or not.

In the middle of the Guajira Desert, Doris, a young Wayúu woman, exhumes her cousin’s remains in order to meet her for the last time. Through a sensory journey, this ritual leads her to confront death and blend the world of the dreams with the world of the living.

When two men compete to qualify in the Winter Olympics for the first time for Afghanistan, they realize that home is worth fighting for. In their wake they leave a passion for skiing and a hope for a brighter future. Where the Light Shines is the debut documentary from Pulitzer Prize-winning photographer Daniel Etter with stunning cinematography by Angello Faccini. It is produced by Academy Award nominees Marcel Mettelsiefen and Stephen Ellis along with Steven Sawalich from Articulus Entertainment. Filmed over four years, Where the Light Shines paints an intimate portrait of life in Afghanistan and shows the difficulties of trying to create change in a country that for generations has only seen war.

19th-century Colombia. Karl and Petronella, a young Swedish couple, sail in search of fortune. The river carries them through desolate lands ravaged by the independence war. Their adventure loses its course, slowly swallowed by a strange and distorted time in which nothing but the reflection of their nostalgia and the ghost of the alienating unknown remains.

When a local community member disappears, a boy faces an early memory, seeking comfort in the Indigenous traditions, healing rituals, and guidance from his grandfather.

A mother in a remote Colombian coastal village teaches her young daughter to swim so she can harvest piangua shellfish alongside the community.

"Negra? Don't call me that," Maryuri retorts, on the day she dances, bleeds, and might risk her life and run away, or ease the world's misery in the arms of her lover, a fisherman from Cartagena.