Pedro Almendra

The disappearance of his wife leaves Fernando, a quiet geography teacher, completely devastated. Aimless, he assumes another man’s identity as a gardener on a Portuguese estate, where he forms an unexpected friendship with the owner, stepping into a new life that isn’t his own.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

Hidden from her husband and daughter, Carmen, a neglectful mother who is emotionally distant from her family, meets someone from her past in a hotel room, looking for answers that will help her heal wounds that have been open for too long.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.

The Waning Sky tells the story of two lovers united by a love as strong as it is forbidden, haunted by the imminent presence of their unfulfilled desires and the guilt that follows them. Their relationship is founded on a shared lie, a guilt that torments them both, and an unrelenting desire that threatens to consume them both. They married young, not knowing the depths of love or passion, but when they met, they knew they had found their soulmate. The characters Luís and Ana, played by Carla Chambel and Rúben Garcia, are united by a passion that lasts for several years, supported by furtive encounters, declarations of love, conflicts and guilt. The Waning Sky presents a poetic and lyrical narrative of the complexities of desire, love and the lingering pain of living with the consequences.

Your past already is the projection of your future. However, it was never more than a light in the sky.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.

The story about the romance of Snu Abecassis and the former Portuguese prime minister Sá Carneiro.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Pedro is an enigmatic man with only one goal: to get Clara back, his first and only love. However, this meeting is almost impossible. Above all, because she is engaged to his brother Lourenço, the man who Pedro will save. And what will Lourenço do when he realizes that his savior may, after all, steal everything from him?

Laços de Sangue is a Portuguese telenovela which broadcast on SIC from September 2010 to October 2011. It is a co-production between SIC and Brazilian Rede Globo. The show also broadcast in several Latin American countries, including Uruguay, Brazil, Bolivia, Ecuador, Paraguay, Peru, Dominican Republic, Costa Rica, and Nicaragua. It won the 2011 Emmy for Best Telenovela.

A family by force... Paulo and Susana have been together for a few years now and decide to take the next step in their relationship by moving in together. But, as they're signing the deed to the house, her father, who was supposed to bring the check, ends up delivering the bad news that there is no money for the house, thus ending this young couple’s dream. However, Artur doesn’t want to come off as a bad parent, so he offers his attic to them so that they can start their life together. So, Paulo’s dream turns into an absolute nightmare, as their life as a couple is, in fact, shared with seven other people who are all very different from them and will start controlling their every move in a permanently tense environment. The Mata family, as it turns out, is all insane, the only exception being Susana. And even her will have a hard time convincing the rest of the family to accept and welcome their new member.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

Raul Vasconcelos and Helena Brito founded a partnership over 20 years ago and has over a hundred lawyers in its service. Raul has an ego as big as the world and it was that self-assuredness that made him notorious in the courtroom. Besides being an astute lawyer, he’s a hopeless playboy who with age developed the tendency to say and do whatever he feels like. His trouble is that he’s constantly abusing that privilege. Helena is a confident woman, albeit more discreet and concerned about the firm's public perception, constantly considering how her actions might negatively affect the partnership and its bottom line. Her personality led her to take over managing the firm, taking care of all bureaucratic affairs. Other lawyers stand out in the firm, as is the case of Pedro Pimentel, who just made senior partner. He’s impeccably put together and has a smile that wins over most women, but behind this agreeable façade of his there’s a person with a lust for power and fame.

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.

Series about one of the most iconic Portuguese bands, DOCE. Doce were one of the first "girls band" in Europe, opening the way not only in the musical world, but also breaking barriers and prejudices in traditional Portuguese society. The series is based on real events, following the band's entire journey from its appearance in 1979, until the end of the initial formation. Doce has outlasted all critics and left its mark on a generation and a country.

Showing reality like it is... What happens when a promising and smart young woman is suddenly called upon to lead he most sophisticated police force in the country. To Ana Belmonte, this is the promotion of her lifetime, to the Criminal Police, this is a shake-up in their deep-seated hierarchy. This young inspector will be confronted with crimes that are tough to crack, where everyone is a suspect and leads can lead to the most unexpected places. But she’ll also have to face the jealousy and anger within her own department, where there are as many allies as there are enemies, and she’s a woman in a men’s world. Having been promoted by her former stepfather and national director Alberto Machado, Ana is going to permanently change the lives of those around her, whether they like it or not.

Portugal, 90s. The famous architect Tomé Serpa lives between professional success and a secret life of sexual relations filmed without the consent of the participants. Married and a father, he maintains a relationship with Carolina, an actress that believes to be his only lover. When she discovers the truth, she allies herself with Elsa to take revenge before the inauguration of his major project.

It tells the story of four great passions and the crime they unleash between the Macedo family and the Oliveira family.