Alva Noto

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

Just out of high school, Lavinia, Carla and Danila leave for a yachting holiday. Accompanied only by a skipper, the three of them sail along the Croatian coast at the start of a new stage in their lives. Full of dreams, free and laid-back, they are unaware that sharing everything on the social media is about to transform their holiday into a brutal rite of passage to adulthood in which nothing, especially their friendship, will ever be the same again.

Conceived as the third part of the series under the name future past perfect, the short film introduces a narrative story that was inspired by a fascination for automation processes as well as his work on codes and grids that materialized in his record alva noto . unitxt in 2008. the series itself started in 2006 and is designed as a row of conceptually independent movies that document nicolai's focus of interest of the respective year of origin and also builds up on the results of the movie(s) before. a quiet autumn night in tokyo. a man stops his car at a shop front with a number of vending machines to get a last drink of tea on his way home. he inserts a coin, but instead of the usual procedure, the machine starts performing its own peculiar performance...

Inspired by the legendary hero Gilgamesh, She Who Saw the Deep reflects on the ancient pursuit of immortality and explores the power of art, landscape and social organisation to transcend the limitations of circumstance.

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

Featuring excerpts from diaries and letters written by local residents and soldiers from both sides, the documentary tells the story of the Battle of Stalingrad through the voices of those who lived it.

The second chapter of the 'run' series.