Imre Sarlai

In 1956, a crusading newspaper reporter covers the Soviet invasion of Hungary. Initially critical of the communists, the feature later espouses the virtues of social changes implemented since the invasion.

The dramatically dense film takes place in workers' surrounding in the sixties. It raises the newspaper article serving as the basis for the short story to be a model: in a plastic factory fire breaks out causing enormous damages.

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

A brothel in a small Hungarian town becomes the home of a medical student after his favorite working girls find out he's out of rent money. Trouble brews as they learn his mother is coming for a visit and they must transform the house.

Three thirtysomething chemical scientists, Laci, Gyuri and Kati celebrate the success of their development program before New Year's Eve with drinking for several days. But the morning of New Year's Eve does not bring the expected recognition, because the nice, bald, old director is replaced by a young, bald, but disagreeable one. In a sodden atmosphere it becomes clear that everybody has an axe to grind in the informative discussions.

The movie portrays a peasant revolt in Hungary in the early twentieth century.

Gedeon is a young, ambitious detective. Three women have disappeared and he strongly believes that there’s direct connection between them. All three of them were driving lonely and have disappeared in the same region. After a lenghty discussion Gedeon gets the permission from his boss for going on patrol with his colleague in that area.

The main character of this film reminiscent of political writing is Laci, the young and ambitious factory worker. He lives with his brother's family. After an unsuccessful attempt to escape from his native country and the prison sentence which follows it he gets employed by Pray, the progressive thinker, at a newly established computer centre. It is here that Laci learns to know Anna, the new-leftist university student, daughter of the general manager. Tóth, although he does not favour their relationship, does not oppose it either.