Arya Saloka

Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

Arum and Pica, who wanted to complete their internship at Lembayung hospital, had to face mysterious terror from a woman satan who was suspected of hanged herself in the bathroom. The situation became even more tense after they asked others for help to the point where they threatened their own lives and those closest to them.

Olivia's life feels empty after her boyfriend, Jamie disappears. She has a hard time trusting anyone, even when she meets Aryo, Jamie's friend. Problems arise when Jamie finds out Aryo is truly in love with her.

Adam, a religious teacher who stopped performing ruqyah after losing his wife, is asked to save Fitri, who is being terrorized by supernatural forces. When he resumes performing ruqyah, he uncovers a dark secret behind Fitri's terror.

Pertiwi returns to her hometown after spending two decades in prison to rebuild her life. There, she finds power in things that have been abandoned: discarded electronic devices that mysteriously light up and a community of outcasts living on the fringes of society. But coming home also means confronting the four men who sent her to prison and now rule the village. Together with the outcasts, Pertiwi begins to uncover the darkness that still haunts the place - and the past she thought she had left behind.

Jefri and Sarah are an adulterous couple now desperately trying to create an alibi after the corpse of Sofia, the lawful wife they murdered, mysteriously disappears from the morgue. Arya Pradana, a police investigator, uses all his logic to uncover the truth. Has the corpse come back to life to take revenge on her killers?

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?

A group of civilians share a bus ride to Sampar, a town full of natural resources. It is heavily guarded by the state army who is fighting against the rebel militias, who want freedom over their homeland.